A.W. Hill


Selected Works

Detective Fiction/Fantasy
The Last Days Of Madame Rey
"Stephan Raszer is a hero in the grand lineage of sleuths with a taste for the esoteric, who rely on unexpected allies and more than the usual five senses as they dare to tackle extraordinary crimes."
--Otto Penzler, founder of The Mysterious Bookshop
Enoch’s Portal
"Dollops of humour and horror and eroticism, a good solid conspiracy, and a hero who is a James Bond for the spiritually uncertain 21st century. Reads like Ludlum by way of Thomas Pynchon!"
--Ian Rankin, author of the Inspector Rebus novels
"A fast-paced narrative full of twists, turns, thrills and turbulence. Whether you believe or simply choose to belief, it makes for an exhilarating ride."
--Eugen Weber, Los Angeles Times; L.A. Confidential
Exile In Godville: Profile of a Postmodern Heretic
Cover Story, L.A. Weekly, May 2005.
Short Story
"The Grotto"
Featured in The Absinthe Literary Review, summer/fall 2004.
Fiction
Nowhere-Land
L.A. cult investigator Stephan Raszer tracks a kidnapped Jehovah’s Witness girl and discovers a cabal of assassins using an alternate reality game to recruit its footsoldiers.



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Biography

SPRING 2009

A.W. Hill lives somewhere between Hollywood, Chicago and Alpha Centauri. His love of snoops, gumshoes and Pandoras ranges from the Hardy Boys to Raymond Chandler and Philip K. Dick. He has held a lifelong enmity toward secret societies, but concedes that this aversion may stem at least partly from the fact that not one of them has ever offered him membership.

Hill's next book is NOWHERE~LAND, the third Stephan Raszer Investigation. He has authored two screenplays, TESLA and LITTLE RED BOOK, and is rep'd by Kimberly Cameron of the Reece Halsey Agency.

BENE VISIT QUI BENE LATUIT



from NOWHERE~LAND:

SCOTTY DARRELL stood in the field of winter wheat and felt the wind stab the wet spot on the front of his corduroys. He let out a sob. Somewhere along the last leg, he’d wet his pants. I’m nineteen, he thought, and I peed my pants. He hadn’t done that since the age of seven, and had vowed then that nothing would make him do it again.

Scotty did not know where he was, or how he’d gotten there, but that was the point of The Gauntlet, an alternate reality field game that made Dungeons & Dragons look like Simon Says. It began on the Web and moved with disorienting speed onto a global gameboard, where the moves were determined by fate, the I-Ching, and the kindness (or malevolence) of strangers. After a certain number of moves, you couldn’t retrace your steps to the trailhead.

Chaotic play was built into the game; no algorithm could map its logic. The puppetmasters had studied everything from aboriginal rites of passage to the Stockholm Syndrome, all to fashion a separate reality to which the player would ultimately surrender. TINAG.

This Is Not A Game.

Then came the good stuff. Then came God, whatever that was.

Scotty had bought into The Gauntlet when the call for “pilgrims” had traveled through cyberspace to the Middlebury College library server, attached to a piece of stealth spam with the heading: WE KNOW WHO YOUR DADDY IS. Though his nominal father was a tenured professor at Middlebury, Scotty had always suspected he might be adopted. He couldn’t resist opening the potentially viral attachment.

Now, thirteen months later (maybe fourteen—he wasn’t sure), he was playing the Seventh Circle, two ranks from the top level of the game. His last contact with the Masters—not counting the fakeout—had been from an internet cafe in Butte, Montana, but that had been ages ago in gametime. He was “riffing,” and not that well. He had no money, no ID, and had moved into winter without a coat. If he didn’t find his next Guide soon, he would have to admit defeat. Although his status was trans-national, it panicked him that he didn’t know what country he was in. If it was the U.S., then he supposed he was in Kansas, but it could just as easily have been the Ukraine.

Beyond all that, Scotty Darrell had done some very bad things in the real world.

Stumbling through the wheat, his sneakers suddenly hit blacktop. He dropped to his knees and offered a prayer. He stood up, and had not been walking the median strip for more than fifteen minutes when the black Lincoln Town Car rolled up on his right and he was invited inside.

“Get in, Scotty,” the man said. “It’s a new game now.”



“... a new talent of truly deranged proportions ...”
--Christopher Fowler, author of Full Dark House and Ten-Second Staircase.